Amphibious Trilogies

Something for you

From: Amanda
To: Hans-Jørgen
Sent: November 8, 2016 21:26 PM
Subject: Something for you!

Dear HJ,
you might find this link useful

The and Early History of the Carp its Economic Significance in England By CHRISTOPHER K CURRIE.

Otherwise, I hope you enjoyed our meeting – and more importantly, got something or other out of it. For Brynjar and I it was very interesting to try to recount what we actually did in Greece; how we worked to together and some thoughts about methodological approaches.

In fact the daily practices we showed you (Brynjar’s self-adaptive Tai Chi, and myself always looking for ways to get out on the water) are what we each do in our work-a-day lives, wherever we happen to be!

It is always difficult to negotiate the means, modes and significance of documentation. Brynjar’s Tai Chi is an example – I interrupt his preparation for the day by putting a camera on his chest.

We discuss his practice of doing daily tai chi and how it is affected by practicing in different places. I am interested how, by blindly recording with a point of view camera and reviewing the footage later, something else comes out aesthetically – simply because Brynjar channels energy through his body, reaching out into the atmosphere or ‘surround’ (my opinion). Slippery, yet directed trajectories between body and surround (landscape) occur, and I am drawn towards both cultural artefacts and natural elements that are always shifting in dimension and/or prominence as he moves. The video from the roof top of Patras rooms and the semi-submerged tai chi sessions appear to me as something working in some kind of extraterrestrial time-space, and I find the connections to be quite profound in an imaginative way.

We showed you a tai chi  video version on a football pitch, located on the top of a hill on the main island of Fourni. This football pitch was for us a substitute exercise for a much smaller pitch on the neighbouring island (Thimania) with goats identified by their individual bell chimes, their gruntings, sneezings, trip trapping and stamping in a landscape that was otherwise quite still, very hot and dry. Small paths led up the football pitch passing through clusters of olives groves. We found life raft containers used as water troughs and small boats turned upside down and draped with colourful curtains (capes, I would say) protecting them from the sun (and whatever could be hidden under them – we didn’t dare to look). These two findings resemble inversions of what they were used for once upon a time.

I am sad that I forgot to check the status of the memory card in the GoPro camera attached to Brynjar, and with this glitch the opportunity to possibly reveal ‘something’ quite sublime. For Brynjar video documentation is not so important. For my part I tend to dwell on lost potentials. (When I teach I do accentuate the ability to be an expert of one’s technologic devices. In the anticipation of the momentary now I lost control.)

The calmness, the heat, the lack of other people, the lack of humidity. The gated high fences of the football pitch, the worn down artificial grass – a ritual space with its own rhyhtms, a shrine likened to the hillside chapels. A community hanging on to the crust of the earth comes to mind.

I think that when we recorded tai chi on the larger football pitch we were focusing on reproducing something that happen on the roof top of the Patras apartment building, or semi submerged in the sea (creatures without heads). We should not have positioned ourselves on the periphery of the field (so as to capture a view of the sea). Rather, I think that if we had moved to the centre the results of the recording would be more interesting.

….. hrmmm …. here comes a short aside

I like to think I occupy the centre, but nothing is less certain. In a sense I would be better off at the circumference, since my eyes are always fixed in the same direction. But I am certainly not at the circumference. – The Unnamable, Beckett 1953

A follow up comes shortly ……..

Big hugs,


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